miércoles, 17 de enero de 2018


The Writer's Building in Calcutta was originally built in 1776-80 to a design by Thomas Lyon. Its original purpose was to house the junior clerks of the East India Company which were known as writers. The building would later house a college and some of the parts of the building were also used for commercial purposes.

Images from the end of the 18th century shows a relatively plain block of white stucco with a central projection of Ionic columns.  Classical porticoes were first added to the centre and ends of the facade in 1821. The building was further enlarged and embellished in 1877-82 and 1889-1906, during which time it became the secretariat of the viceroy of India.

Built on the site of the former St Anne's church, the building is 150 metres long and covers the entire northern side of the former Dalhousie Square.

The Victoria Memorial in Calcutta was built in 1906-21 to a design by the architect William Emerson. Originally proposed in the year the queen died in 1901 as a grand monument and museum in the capital of British India, the capital was later transferred to Delhi six years into construction. Like the Taj Mahal, the building is clad in Makrana marble from Rajasthan. Emerson also designed to Crawford Market in Mumbai, and All Saints Cathedral and Muir College, both in Allahabad. Some of the detailing on the memorial is attributed to supervising architect Vincent Jerome Esch.

Humayun's tomb was built in 1569-70 by Persian architect Mirak Mirza Ghiyas. It was commissioned by the deceased Mughal emperor's first wife and chief consort and is considered the first garden-tomb in India. The tomb is located close to the old fort, which Humayun had renovated in 1533-38.  

sábado, 16 de septiembre de 2017


The first written record of Borgund Stave Church is from 1342, but the actual building has been dated to the period 1150-1200. The timber was felled during the winter of 1180-81, according to tree-ring dating. It is one of the country's best preserved stave churches and has been used as model for the restoration of other churches of the same type. It was still in use as a church until 1868.

The new Borgund church was inaugurated in 1868, to a design by Christian Christie, who also built the nearby Hauge Church. The motivation to build a new church was in the interest of preservation but also because the old church had become too small.

The visitor centre was finished in 2005, by architects Askim Lantto. Other works by them include the Gurisenteret Outdoor stage and Visitor Centre on Edøy, which is close to a stone church dated to around 1190.

domingo, 28 de mayo de 2017


The National Museum of Singapore was opened as the Raffles Library and Museum in 1887. The museum was founded in 1849 and the collection was previously housed in the Singapore Institution, which is considered the oldest school in Singapore. It was briefly moved to the Victoria Theatre and Concert Hall, which then existed as the city hall. The new building was commissioned in 1882 and was designed by architect Henry McCallum, but was built to a revised and scaled-down version by JF McNair. A modern annexe by W Architects was added in 2004-06, featuring a glass-clad rotunda inspired by IM Pei.

The former Attorney-Generals Chambers, which is now part of the Parliament Building, was originally built in the 1880s, though the current design dates from 1906. The first building on the site seems to have been completed in 1839, as an annex to Maxwell's House (also known as the former Parliament House), which is considered the oldest surviving building in Singapore.  

The General Post Office, which also housed the Singapore Chamber of Commerce and other government office, was built in 1924-28. It was the largest project launched for the occasion of the centennial celebrations in 1919. The design was by architect Keys & Dowdeswell, who also built the Capital Theatre and Singapore General Hospital. It was the third GPO on the site, the first was built in 1873 and the second in 1885. The post office had previously been housed in a building near the city hall, since 1854. The GPO was rebuilt to become a hotel in 1997-2001 and is now the Fullerton Hotel Singapore.

The Bank of China building was built in 1954 by architects Palmer & Turner. It was one of the first towers in the central business district and the first to include central air-conditioning. The same architects were behind similar towers for the Bank of China in Hong Kong (1952) and Shanghai (1937). 

The Asia Insurance Building was built in 1953-55 to a design by architect Ng Keng Siang. At 87 metres, it was the tallest building in Singapore at the time. It was converted to serviced apartments in 2008 and has been renamed Ascott Raffles Place.

The Concourse was completed in 1994 after a redesign in 1987 of an earlier project called the Hong Fok Centre. The latter first began construction in 1981 but was halted due to an economic downturn. The redesign was by Architects 61 and Paul Rudolph. It is located in the strip between Beach Road and Nicoll Highway known as the Golden Mile. The office tower reaches 175 metres.

UOB Plaza was completed in 1995 to a design by Japanese architect Kenzo Tange. It consists of two towers joined by a podium. The earlier tower is from 1974 but was redesigned as a smaller twin to UOB Plaza 1, which became the second tower in the CBD to reach 280 metres in 1992. The Bonham Building was one of the earlier buildings on the site of the smaller UOB Plaza 2.

OUE Bayfront at 50 Collyer Quay was built in 2007-11 to a design by DP Architects. It replaced the Overseas Union House from 1971, which was an 8-storey office and car park building with shopping facilities. 

Reflections at Keppel Bay is a residential complex completed in 2011 to a design by Daniel Libeskind. The complex consists of six high-rises and 11 low-rise villa apartment blocks. It followed the earlier Caribbean at Keppel Bay, which was the first residential development in Keppel Bay in 2006. A development named Corals at Keppel Bay was also completed to Libeskind's design in 2016.

Marina Bay Financial Centre was designed by Kohn Pedersen Fox and built in two stages. The first two office towers and Marina Bay Residences were completed in 2010. The largely subterranean mall was also first opened at that time. The third office tower and Marina Bay Suites were officially completed in May 2013. The towers are between 192 and 245 metres.

Oasia Hotel Downtown was completed in December 2016, to a design by Singapore-based WOHA Architects. The 190-metre tower is clad in a red aluminium mesh to allow the integration of vines, plants and flowers. It includes four open-sides sky terraces that provide vistas and cross-ventilation. The design has been presented as a prototype for land use intensification in tropical urban environments.  

Marina One (left) is a scheduled for completion in 2017. The project consists of two office towers and two residential towers, with a retail podium and garden roof. It was designed by Ingenhoven Architects.

viernes, 10 de marzo de 2017


The old town of Fredrikstad was founded in 1567 after the previous settlement of Borg had been burned to the ground by Swedish forces during the Northern Seven Years' War. The new location was chosen to make it easier to defend, though the Swedes succeeded in burning down the fledgling town in the 1570s. The construction of the fortifications, including a moat and ramparts, began in the 1660s. The fortified town began to lose influence to new settlements on the opposite side of the river already in the 18th century, and the city administration and cathedral was finally moved at the end of the following century. Apart from some military buildings, The oldest houses are from after the fire of 1764 while several parts of town were also rebuilt after a fire in 1830. Some minor fires and rebuilding later in the century also added some later housing stock, though the town otherwise became frozen in time.

The borough on the opposite side of the river to the old town is named Cicignon after a fort built in the late 17th century. Demolition of the fort began in 1903 and a the villas at the end of J.N. Jacobsens gate have been dated to the same year. One of the brick mansions later became the residence of the bishop of the diocese of Borg.

The villa of Lykkeberg was built in 1873-75 by architect Paul Due, possibly in collaboration with Bernhard Steckmest. The architects had a similar villa built in Oslo during the same period (Onsumslottet), but this was demolished in 1905. The property has been known as Lykkeberg since 1780.

The main church of Fredrikstad was built in 1879-80 to a design by master mason Waldemar Ferdinand Luhr. It was previously called Vestre Fredrikstad kirke to distinguish it from the church in the old town. It has been a cathedral since 1969, when the diocese of Borg was created.

This villa was originally built in 1889 and has just been restored as a private house, with an interior design inspired by the period, after many years as an office building. The building on the left was designed by architect Herman Backer, indicating that it was built around the same period. 

The Cicignon area has several houses in wood with corner turrets, built in imitation of the brick buildings of the late 19th century. This particular example, on the corner of Ridehusgata and Bjarne Aas gate, was built in 1898 by Nils Brynhildsen, who ran a timberware company. It was threatened with demolition in the 1980s.

Storgaten 15, at the end of the main square, was built in 1909 to a design by architect Ole Sverre. The previous building had been destroyed in a fire in 1908 that destroyed 23 houses in the area. It had housed a pharmacy since 1883, and this continued when the new building was completed. 

Glemmen New Church was inaugurated in 1949 to a design by architect Arnstein Arneberg. The previous church was originally built in 1853 and was extended in 1887-88, but was destroyed in a fire in 1944. Glemmen was a separate municipality until 1964, when it was merged with Fredrikstad. Glemmen Old church is considered the oldest building in the city and is dated to 1182.  

The modern complex at one end of Dampskipsbrygga consists of a housing unit from 2005-06 and a riverside commercial unit from 2013. The latter was completed to a design by architect Christian Cleve Broch. The yellow brick building on the right was originally built in 1872, though the current facade is from 1901, by Gustav Gulbrandsen. 

Litteraturhuset was completed in 2013 to a design by architect Griff Arkitektur. The building houses a  bookshop, book café and an institute of journalism. On the right can be seen a commercial building from 1903-04, originally built for Fredrikstad og Omegn sparebank, by architect Gustav Lorentz Gulbrandsen.

martes, 7 de marzo de 2017


The church of San Miniato al Monte was originally begun in 1018 on the site of a 4th century chapel. The adjoining bishop's palace was built in 1295-1320 while the unfinished bell tower is from the 15th century. 

The baptistery of St John was built between 1059 and 1128 as the third baptistery on the site. The first was constructed in the late fourth century or early fifth century. The marble supposedly came from Fiesole, which was conquered by Florence in 1078, while the rest came from ancient structures. The lantern was added in 1150, while the entrance porch is from 1202.

Palazzo Vecchio was originally built in 1299-1314 as the city hall of Florence. The design is attributed to Arnolfo di Cambio, who also gives his name to the 94-metre bell tower Torre d'Arnolfo. The tower was built on top of the previous Torre della Vacca, and this is supposedly the reason why it  is off-centre relative to the main facade. The palace was extended in 1342-43 and the courtyard was redesigned by Michelozzi Michelozzo in 1453. Further extensions were completed toward the end of the 15th century, including a second courtyard by Cronaca (Cortile della Dogana) and the main hall (Salone dei Cinquecento). Both Michelangelo and Leonardo da Vinci were commissioned to fresco the walls of the main hall, but neither one of the completed the task. The Salone dei Cinquecento was instead decorated with frescoes by Giorgio Vasari in 1563-65. Vasasri was also involved in the re-decoration of the first courtyard and the extension of the building to Via dei Leoni. This extension, which included a third courtyard, was completed by Buontalenti in the late 16th century. Also known as Palazzo della Signoria, which is still the name of the square, the name vecchio refers to the Palazzo Pitti as the Palazzo Nuovo.

Orsanmichele was originally built as a grain market in 1337 by Francesco Talenti, Neri di Fioravante and Benci di Cione. It was converted into a church for the craft and trade guilds in 1380-1404. The statues are copies of the originals, which were commissioned by the guilds in the early 15th century. 

The design of Palazzo Rucellai has been attributed to Leon Battista Alberti and dated to 1446-51, though this is still subject to debate. Actual construction was probably piecemeal and not completed until 1460s when the Rucellai family succeeded in buying the neighbouring properties. In fact, the facade should have been one bay wider than what was built and lacks symmetry as a result. A very similar design is used on Palazzo Piccolomini in Pienza by Bernardo Rosselini, which could be the architect for both palaces. It is seen as the first consistent attempt to apply classical orders to palace front, an inspiration which probably came from the Colosseum. The use of a richer Corinthian order on the first floor doesn't match the classical model but is consistent with the contemporary idea of a piano nobile being the most important part of the building. 

The facade of Santa Maria Novella was built in 1458-70 and was likely designed by Alberti in the 1450s. The architect seems to have compromised on his classical ideas due to the gothic forms of the church, which had been begun in 1246. Some work on the facade had started in 1310. His choices in design may also be due to respect for local tradition, as exemplified in the church of San Miniato. Alberti had previously used classical columns on the Tempio Malatestiano in Rimini, which was also a pre-existing church, and on the Rucellai chapel in San Pancrazio. The facades of the later churches of S. Sebastiano and S. Andrea in Mantua are loosely modelled on temple fronts.

Construction of Palazzo Gondi was begun in 1490 and had been completed by 1498, to a design by Giuliano da Sangallo. It is similar in style to the earlier Palazzo Medici but the surface treatment of the facade is smoother as had become common toward the end of the century. 

The Palazzo Grifoni or Budini-Gatai was originally begun in 1557 to a design by Giuliano di Baccio d'Agnolo, who also was responsible for the Palazzo Grifoni for the same client in San Miniato.  It was continued after the death of d'Agnolo by Bartolomeo Ammanati in 1563, possibly on the basis of designs by Michelangelo. Parts of the facade were only completed in the 18th century, however. The facade of Palazzo delle Due Fontane (left) is from the early 19th century and was made to harmonise with Grifoni. A similar consideration determined the design of the loggia of the Servites (right), which was begun in 1616 to mirror Brunelleschi's Foundling Hospital from 1419-36. This work also involved d'Agnolo as well as Antonio Sangallo the Elder. A similar loggia was added to the church front of Santissima Annunziata in 1601 by Giovanni Battista Caccini in 1601. The equestrian statue in the middle of the square is of Grand Duke Ferdinand I.

San Frediano in Cestello was built in 1680-89 to a design by Gherardo Silvani. The dome was added in 1689 by Antonio Maria Ferri. It replaced a previous church from the 1450s.

The columns on the facade of San Pancrazio were moved to the present location after the deconsecration of the church in 1808, but originally stood inside. They were made to a design by Alberti to support the entrance to the Rucellai chapel. The passage to the chapel was bricked up in the early 19th century and was only recently reopened. It houses the Rucellai sepulchre, which is a marble shrine designed as a miniature of the Holy Sepulchre in Jerusalem. The chapel is dated to 1458-67.

The facade of Santa Croce is dated to 1857-63 to a design by Niccolo Mata. Construction of the church first began in 1294 or 1295 and the design has been attributed to Arnolfo di Cambio on stylistic grounds. It is known that the nave was still unfinished in 1375 and consecration was delayed until 1442. The slow progress was possibly due to opposition within the Franciscan order, from factions wishing to observe the rule of absolute poverty. Unlike Santa Maria Novella, the church was not built with a stone vault but has an open timber roof instead. The chapter house in the adjacent convent, known as the Pazzi chapel, was originally designed by Brunelleschi around 1429-33. It wasn't completed for 40 years and changes were made to the exterior.  

jueves, 8 de septiembre de 2016


Het Steen is considered the oldest building in Antwerpen and was originally built around 1200-25, om the site of an earlier defensive structure first built in the ninth century. However, the upper part of the building, which is easily distinguishable by its lighter sandstone colour, is from 1590. The design is attributed to Domien de Waghemakere and Rombout Keldermans. All the adjoining streets and houses, including the city's oldest church, were demolished in the 1880s as the quays to the river were straightened. The fortress was also threatened with demolition at one point. A neo-gothic wing was added in 1889-90 and various other restorations and alterations were made, though some of this was removed in 1958. The 16th century gate was rebuilt in 1963. The building served as a prison from 1303 to 1827 and became a museum in 1864. 

The Cathedral of Our Lady is the largest gothic church in the Low Countries and was primarily built in the period 1352-1521. Work first began on the choir, which was finally vaulted in 1411 after political upheavals had forced a standstill for 22 years. The original architect was possible Jacob van Tienen. Pieter Appelmans took over from 1419 and was later succeeded by Jan Tac and Everaert Spoorwater, who extended the original design in 1454-69. The south aisle was completed in 1469 and was consecrated for temporary use in 1469 before church service was moved to the choir in 1481. The last remnant of the previous 12-century church was demolished in 1485. Herman de Waghemakere took over as architect in 1473 and the central part of the west front was completed in 1492 before his son Domien completed the northern tower 1521. A plan to expand the choir was abandoned in 1537 and work on the completion of the southern tower was never resumed after it stopped in 1475. The onion cupola was added in 1535 and the transepts were vaulted in stone in 1610-17. New portals were added during this period but the transepts were restored to gothic style in the 19th century. The interior is largely baroque due to the iconoclasm of the Calvinists. The earliest religious building on the site was a chapel from the ninth century. 

It took over 150 years to complete Sint-Jacobskerk, though the west tower was mostly finished in the first building phase of 1491-1553. The design is probably by Herman Waghemakere the Elder and his sons Herman and Domien, followed after 1525 by Rombout Keldermans. The plan was originally to build the tallest tower in Antwerp, but the project was held up due to a lack of funds. Two building phases followed: in 1552-66, with the completion of the transepts, and in 1602-56, with the completion of the choir, chapels and aisles.  The site was originally located just outside the city walls and became a popular stop on the pilgrim route to Santiago de Compostela. A chapel had been built in 1404-13, which became an independent parish in 1477. 

The construction of Sint-Andrieskerk was begun by Augustine friars in the early 16th century to replace a chapel from 1513-14. The land was confiscated due to the accusation of protestant sympathies and the church became a parish in 1529. The construction of the tower began in 1541 and the nave was completed around 1568. A dividing wall was built to separate between Calvinists and Catholics in 1579, though this was torn down in 1585, when the Spanish restored the supremacy of Catholicism. Transepts and choir were only completed in 1663. A new portal was added to the south transept in 1730 and the tower collapsed in 1755. A new tower was subsequently completed to a design by Engelbert Baets.

The Antwerp town hall was built in 1561-64 to a design by a team of architects, though it's primarily attributed to the sculptor Cornelis Floris de Vriendt. Other names include Loys de Foys, Nicolo Scarini and Willem Paludanus. The city had previously chosen a gothic design by Domien de Waghemakere in 1541, but the building materials for this project were eventually diverted to the city's defences instead. The new town hall was destroyed during the Spanish sack of 1576 and had to be rebuilt three years later.

The buildings on the south-side of Helige Geeststraat are typical examples of the Flemish renaissance style in brick-and-sandstone. They are dated by the anchors on the facades to the period 1578-84, They are now part of the museum Plantin-Moretus, which is dedicated to the history of the printing press in the city.

The guildhalls of Grote Markt are mostly reconstructions, based on paintings and old documents of the houses as built in the late 16th and early 17th centuries. The first reconstruction was completed in 1893 (Grote Markt 7) by architect Frans van Dijck and is considered the most authentic, along with Grote Markt 5. It is topped with a statue of St George by Jef Lambeaux, who also designed the Brabo fountain from 1887. More reconstructions followed on the corner of Braderijstraat in 1900 by Eugene Geefs. This house (Grote Markt 3) only became a corner building when the street was widened in 1886-87. Frans van Dijck completed the reconstructions of Grote Markt 9 and 11 in 1904 and 1906, while Grote Markt 5 is by Leonard Blomme and was finished in 1907. The facades of the two remaining houses on the corner of Wisselstraat were only completed in 1947-49, by Henri van Dijck.

The Jesuit church, originally dedicated to St Ignatius, was built in 1615-21 to a design by Francois d'Aguilon and Pieter Huyssens. The adjoining buildings were completed in 1626. The vault of the church was originally decorated with paintings by Peter Paul Rubens but this was destroyed by a fire in 1718. The Jesuit order was suppressed in 1773 and the church was closed before being rededicated to St Charles Borromeo and becoming a parish in 1803.

Paleis op de Meir was built in 1745-48 as a merchant's palace by architect Jan Pieter van Baurscheidt the younger. It was acquired by Napoleon during the French occupation and furnished to become a royal palace, but was first used by the monarchs of the United Kingdom of the Netherlands and after 1830 by the monarchs of the Kingdom of Belgium. The royal family donated the residence to the state in 1969 and it has since mostly housed various museums. The building on the right was built in 1908 by architect Emile Thielens for Banque de Reports.

The National Bank of Antwerpen was built in 1874-78 as branch to the central bank of Belgium. The architect was Henri Beyaert, who had already built the headquarters in Brussels in collaboration with Wijnand Janssens. The city walls had been demolished in 1866 and a plot was found in 1871 on the vacant land along the new boulevard. The Antwerpen branch was closed in 2013 and the building was offered for sale.

The Royal Atheneum on Franklin Rooseveltplaats was built in 1882-84 to a design by architect Pieter Dens and Ferdinand Truyman. The building was almost completely destroyed in a fire in 2004 and was reopened after extensive rebuilding in 2014. The institution was first founded by Napoleon in 1807 as the city's first public school and was previously housed on Sint-Jacobsmaarkt.

The town hall of the previously independent municipality of Borgerhout was built in 1886-89 to a design by brothers Leonard and Henri Blomme. Borgerhout became part of Antwerp in 1983 and the town hall is now referred to as a district house.

The Royal Museum of Fine Arts was built in 1884-94 to a design by architects Jacob Winders and Frans van Dijk. The institution was originally founded in 1806 by Napoleon, when a collection was made from the art taken from the city's churches and other buildings. The collection was previously housed in a monastery but a decision was made to build a new museum after a fire threatened to destroy it in 1873. The museum was hit by a bomb in 1944 and subsequently restored.

The pilot office of the port of Antwerp was built in 1892-95 to a design by architects Hendrik Kennes and Ferdinand Truyman. A competition was held in 1886 but none of the winning projects were realised due to public protests. The issue was subsequently solved in 1890. City architect Gustave Royers added a smaller building to the south in 1899 and later structures are from 1937-57. A former ministry houses from 1863 by architect Charles Dujardin stands behind the pilot office.

The former dairy building of Antwerp Zoo was built in 1898 to a design by architects Emile Thielens and Emil van Averbeke. It was originally used as a distribution hub for the milk produced by the zoo's cows but later came used for storage before it was converted into a planetarium in 1973. It's now an education centre.

The buildings of the residential street Cogels-Osylei in the district of Zurenborg were built between 1894 to 1908. The development was led by a company called Societe Anonyme, which had originally been set up to to develop the farmland of the southeastern fringes of the city into industrial estates, but which changed its business model to focus on high-end residential development in 1886. All buildings on the Ronde Plein, which is located halfway up the street, were designed by Ernest Dieltiens and built in 1897-99.

The building, which now houses the department store Galleria Inno, was built in 1900-01 to a design by architect Joseph Hertogs. The German merchant Leonhard Tietz had already opened a store in the city, on Melkmarkt, in 1897, which continued as a branch until 1907. The new department store on the Meir soon proved too small and Tietz began to rent premises in the adjacent corner building, which had been built in 1903 by architect Willem van Oenen for the electrical store Moyson.

The three art nouveau houses on the corner of Schilderstraat and Plaatsnijdersstraat were built in 1901 to a design by architect Frans Smet-Verhas. The construction was financed by a wealthy shipbuilder, which is why the corner balcony is in the shape of a boat. There were originally four houses but one was rebuilt in 1964. The architect designed similar facades for houses in Oudekerkstraat and Lange van Ruusbroecstraat.

The short street between the Meir and Teniersplaats has been named Leysstraat since 1867. It was previously a little ally known as Meirsteeg but was widened in 1855 to serve as part of a thoroughfare to the central station. It was widened again in 1898 and an effort was made to harmonise the style of the new commercial buildings. Most on the southern side were built in 1899-1900 to designs by architects JB Veerecken, Emile Thielens, Louis Gife and Floris Verbraeken, though the corner building on the right was completed in 1904 by Willem van Oenen.

The near-identical buildings Leysstraat 28-32 and 27-29 on Teniersplaats were completed in 1901 and 1904 to designs by architects Ernest Dieltiens and H.F van Dijk. The latter is the former Hotel Metropole.

Antwerpen-Centraal railway station was built in 1895-1905 to a design by architect Louis Delacenserie. Six of the eight towers were demolished in the 1950s but these were reconstructed in 2009.  The glass vault of the viaduct was designed by Jan van Asperen. The previous station was a wooden structure from 1854. The buildings on the right are from 1903 by architects Emile Thielens and Emiel van Averbeke.

This Venetian-inspired Scaldis complex on Gogels-Osylei, was begun in 1903 to a design by Frans van Dijk. It consists of four townhouses and is similar in composition to the earlier Apollo complex further up the street, from 1894 by Ernest Stordiau. The names Scaldis is Latin for the river Scheldt. The building on its left is from 1905 by architect Fr. Reusens.

The Vlaamse Opera was built in 1904-07 to a design by architects Alexis van Mechelen and Emiel van Averbeke. It was originally established in 1893 as the Dutch-speaking counterpoint to the royal theatre, which was completed by Pierre Bourla in 1834, where performances continued in French until 1933. The earliest performances was in a theatre from 1869-73 to design by Peter Diens, which was demolished in the 1960s. The new opera replaced a market hall known as Halles Centrales from 1892 by Ernest Dieltens. The building on the left is an extension from 1907-09, while the tower on the right is Antwerp Tower, completed in 1974 by Joseph Fuyen and Guy Peeters.

Boerentoren, or KBC Tower, was built in 1929-32 to a design by Jan van Hoenacker and is considered one of Europe's earliest skyscrapers. Originally at 87.5 metres, it was just a few metres short of the Royal Liver Building in Liverpool and lost the title as tallest building on the continent to Terrazza Martini Tower in Genoa in 1940. The tower was extended to 95.8 metres in 1976 but is still shorter than the 123-metre tall spire of the cathedral.

Most of the facades on the southern side of Grote Markt are reconstructions from the period 1947-57 and 1967. The corner building furthest to the right is from 1886, while the corner building on Maalderijstraat is considered an authentic restoration of a facade from 1736, by architect Jan Peter van Baurscheidt. This row of houses originally belonged to a street called Maanstraat, but has had an uninterrupted view to square since the houses in front were demolished in 1714. The two facades on the very left of the image are considered authentic restorations of 17th- and 18th-century facades.

The Museum of Modern Art in Antwerp is housed in an old granary from 1922 built by Société Anonyme. The main facade by architect Camille Janssens consists of three blind arcades, which are still visible on Leuvenstraat. The granary was converted to a museum to a design by Michel Grandsard in 1985-87 and was extended by the same architect in 1992-93.

Cogels-Osylei 29A is a rare modern addition to the street and was built in 1989 to a design by Christine Conix. The site was cleared in 1933 when a previous building from 1897 was demolished, the adjoining building (left) was completed in 1949 in a pseudo-traditional style. The building on the right includes three town houses and was designed by Joseph Bascourt in 1894. Further on the left is the previously mentioned Apollo complex.

The new courthouse was built in 2001-05 to a design by architect Richard Rogers on the former site of a railway station, which was opened in 1903 but demolished in 1965 to make way for access roads to the Kennedy tunnel. Rogers' project won a competition in 1998-99 and a new tunnel was completed at the same time. The train station was a monumental building by brothers Jean Jules and Paul van Ysendijck, while the old courthouse from 1871-74, still stands on Britselei and was built by Francois and Louis Baeckelmans.

Museum Aan de Stroom (MAS), which means Museum by the River, was built in 2006-11 to a design by Neutelings Riedijk architects. The decision was made in 1998 to a build a new museum, with exhibitions focusing on the history of the city and its role as a major international port. The building is 60 metres tall and stands at the site of the former Hanzehuis, which was built in 1564-68 and was one of the city's most prominent renaissance buildings before it was destroyed in a fire in the 19th century.